Je dois vraiment être crevé pour avoir oublié un titre...

Delon n'a jamais été aussi bien filmé que dans ce film, j'ai trouvé. C'est de l'or pour les yeux, la mise en scène. En plus, tu trouveras cette belle édition Criterion sur SMz. Ça vaut le coup, gars, promis.

When film is not a document, it is dream. That is why Tarkovsky is the greatest of them all. He moves with such naturalness in the room of dreams. He doesn't explain. What should he explain anyhow? He is a spectator, capable of staging his visions in the most unwieldy but, in a way, the most willing of media. All my life I have hammered on the doors of the rooms in which he moves so naturally. Only a few times have I managed to creep inside. Most of my conscious efforts have ended in embarrassing failure - THE SERPENT'S EGG, THE TOUCH, FACE TO FACE and so on.

Fellini, Kurosawa and Bunuel move in the same fields as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness. Melies was always there without having to think about it. He was a magician by profession.

Je vais aller me faire un truc à manger. À plussos ;-)

Bon ap.

Autant de messages à lire, ça faisait longtemps !

Bah vous savez quoi ? Je l'ai jamais vu.

Je vais le mettre de côté.